...as far as the Golden Globe nominations, are concerned. Up in the Air earned six: Best Picture, Drama; Best Actor, Drama (George Clooney); Best Supporting Actress (both Vera Farmiga and Anna Kendrick); Best Director (Jason Reitman), and Best Screenplay (Jason Reitman and Sheldon Turner).

If you’re planning to fly to London on BA this Christmas, you should rebook right away. The airline’s cabin crews have decided to strike from Dec. 22 through Jan. 2, just long enough to throw the airline and Heathrow into holiday chaos. As if things weren’t bad enough for BA—falling premium traffic, slashed routes, the inability to add a third runway at Heathrow in our lifetimes—analysts are pegging potential losses at 40-50 million pounds, or close to triple what it was losing this time last year.

By the perverse logic of the airline industry, this is a good thing, because by breaking the union, BA will save an estimated 100 million pounds a year. (You have a break a few eggs to serve complimentary omelettes in Club World, after all). But the real winners will be easyJet, Ryanair, and Flybe, hastening the gradual consolidation (or collapse) of Europe’s legacy carriers and the ascendency of ala carte carriers overall.

In related news, the global airline industry only expects to lose $5.6 billion next year, barely half what it expects to lose this year. The money quote: “Tough times continue,” Mr. Bisignani said. “The number of travelers will be back to the peak levels of 2007, but with $30 billion less in revenues.” (emphasis mine)

Who will take the biggest hit? Airlines in Europe are expected to be the slowest to recover, generating the largest expected losses of $2.5 billion next year, the I.A.T.A. said. In North America, losses will likely shrink to around $2 billion from $2.9 billion this year.

And who will be the big winners? “Asian airlines are likely to show the most dramatic improvement next year, with losses expected at around $700 million compared with $3.4 billion in 2009. The recovery will be led by China , where the economy is forecast to grow by 9 percent next year... Middle East carriers are likely to see their losses shrink to $300 million from $1.2 billion in 2009, despite the recent financial difficulties affecting Dubai. The Gulf region has become a major hub for intercontinental traffic.”

Emirates Airlines expects to post a billion-dollar profit next year, by the way. There’s a good reason why it might end up the property of Abu Dhabi.

Writing in the new McSweeneys newspaper, The San Francisco Panorama (PDF), Proust Was A Neuroscientist author Jonah Lerer extols the cognitive origins and benefits of travel:

Travel, in other words, is a basic human desire. We’re a migratory species, even if our migrations are powered by jet fuel and Chicken McNuggets. But here’s my question: is this collective urge to travel - to put some distance between ourselves and everything we know—still a worthwhile compulsion? Or is it like the taste for saturated fat, one of those instincts we should have left behind in the Pleistocene epoch? Because if travel is just about fun then I think the TSA killed it.

And if the TSA hasn’t finished it off, there are plenty of climate change protestors in Copenhagen at the moment who would be happy to deliver the killshot. But not so fast:

» Continue reading...

The New York Times carries the obituary this morning of Larry Sultan, the art & fashion photographer best known (in the 1990s, at least) for his series on bourgeois pornographers in the Valley. From an NYT appreciation of Sultan five years ago:

“Contrasted with the Teller book, Larry Sultan’s pictures from pornographic-film sets in the San Fernando Valley, a show of which opened at the Janet Borden gallery on Wednesday, seem somehow chaste. The Sultan show, in SoHo, coincides with the release of a coffee-table book of sex industry studies titled “The Valley” (Scalo, $75.) What is curious about both book and show is that, far from being a huge conceptual leap from the narrative Mr. Sultan conjured in “Visiting Tennessee,” a Kate Spade campaign that depicted a prosperous family on a road trip, the images in “The Valley” seem fully congruent with upper-middle-class life in a post-Cheever world.”

BTW, “Visiting Tennessee” is easily my favorite ad campaign ever.

I see the site has finally gone live. Come in, take a look around, stay awhile. There’s a lot more where this came from.

Abu Dhabi has given Dubai a $10 billion bailout, allowing it to pay off the $4.1 Nakheel sukuk (i.e. bond) coming due today. Armageddon has been postponed until April 30th (when the rest of the cash runs out), but it remains to be seen what the true price of Abu Dhabi’s assistance will be. Is it simply tired of Dubai’s trouble dragging down its own banks’ credit ratitings, or is this the first step toward repossessing the place?

[Update: Or was it just a cynical ploy by Dubai to scoop up the publicly-traded bond for fifty cents on the dollar?]

I’ll never see these ads at the airport again, thank god.

The battle for the future of the airline industry is being fought in the skies over Tokyo.

For months, American Airlines and Delta have waged a public bidding war for Japan’s flag carrier JAL—not to buy it, but to bail it out. Each has offered more than a billion dollars in cash for JAL’s loyalty. In American’s case, this means sticking with the Oneworld alliance; to Delta, it entails defecting to Skyteam. At stake is access to one of the world’s largest and most lucrative markets. (Despite the shinkasen barreling their way to Osaka and back every day, Japan still has one of the world’s largest domestic markets—fully loaded JAL 747s take off every hour for Sapporo.) American wants to cover its flank, while Delta is keen to protect the hub at Tokyo Nartia it acquired along with the rest of Northwest Airlines. It appeared this highly entertaining tussle would go on for quite a while, complicated by Japanese politics.

Surprise: the U.S. and Japan agreed last week on Open Skies.

In a nutshell, Open Skies means airlines can fly wherever and whenever they like without political restrictions. The U.S. and E.U. signed such an agreement last year; negotiations had been dragging on with Japan for nearly a decade. The advent of Open Skies should mean more flights, more destinations, and lower fares thanks to increased competition, especially considering United and Delta/Northwest would lose some of their special privileges. But that’s probably not going to happen.

As the Financial Times points out tonight, United and JAL’s more nimble rival ANA are racing to apply for an anti-trust exemption on closer cooperation on schedules, pricing, and strategy—a precondition of which is Open Skies. Both happen to be members of Star Alliance, and those ties will take precedence over competition between the two. The same thing is likely to happen with whomever successfully woos JAL—either American will keep it in the fold and strive for an even closer partnership, or Delta will steal it away, secure its dominance in Tokyo, and add another much-needed Asian partner to Skyteam.

Either way, the future of the airline industry is taking shape as you read this—airlines’ individual identities will begin to matter less than their alliance membership and partners. This might be old news to road warriors who don’t let any frequent flyer miles go to waste, but I’m curious to see if and when casual passengers start to notice.

I’ve been telling anyone who will listen that Up in the Air is a lock for Best Adapted Screenplay and Best Actor (for George Clooney, of course), and a strong contender for Best Picture, Best Supporting Actress (Vera Farmiga) and maybe Best Director (Jason Reitman).

The reason? It isn’t a film about about emotionally unavailable frequent flyers, but the way we live now in post-recessionary America, just as Crash was about the way we live now in post-racial (but not really) America. Don’t take my word for it; The New York Times’ Frank Rich has reached the same conclusion:

“Here is an America whose battered inhabitants realize that the economic deck is stacked against them, gamed by distant, powerful figures they can’t see or know. “Up in the Air” may be a glossy production sprinkled with laughter and sex, but it captures the distinctive topography of our Great Recession as vividly as a far more dour Hollywood product of 70 years ago, “The Grapes of Wrath,” did the vastly different landscape of the Great Depression.”

So… the wholesale bankruptcy of the American airline industry has been deferred once more. Today’s Wall Street Journal article points out that a combination of fewer, fuller planes, fewer dirt-cheap tickets, and a raft of fees have stabilized domestic carriers’ finances. People who are down on aviation will point to the fact there are fewer seats aloft now than in 1998, but I’d rather dwell on the fact that ticket prices are also hovering around their pre-millennial level of $301. If they had kept pace with inflation, the average ticket would cost $417 today. In other words, the cost of flying continues to fall. And while that’s terrible for the airlines and their investors, that’s good for us.

There’s a counter-argument to be made that permanently depressed fares prevent airlines from upgrading their product, but then again, if United can scrape together enough cash to order 50 new widebodies from Airbus and Boeing (with options for presumably dozens more), than anyone can.